The Worst Sci-Fi Prequel Ever!

The Worst Sci-Fi Poster Ever! The Worst Sci-Fi Prequel Ever!
Released 2002.
Runs 42 minutes.
Directed by the Logan Brothers.
Written by Willy Logan.
Starring Shadowkiller Bitscape, Willy Logan, and scottgalvin.com, with Ted Logan, Bethany Logan, John Chamberlain, Janusz Strzepek, and Zan Lynx.
Original musical score by Willy Logan, with Gustav Holst.
Visual effects by Janusz Strzepek, with Willy Logan.
Shot on location in Boulder, Colorado and Telluride, Colorado, and in the Wilhelm Pictures Studios.


With the completion of the original trilogy, it was time for the Logan brothers to take on a project of even bigger proportions. Seven months in the making, it was the last and greatest of the Worst Sci-Fi films: The Worst Sci-Fi Prequel Ever!

The Worst Sci-Fi Prequel Ever!
202 mb

Watch the Original Trailer

Listen to the Original Musical Score
by Willy Logan

Watch the Bloopers Reel
56 mb

Behind the Scenes

the making of The Worst Sci-Fi Prequel Ever! official narrative
This exhaustive treatment of the creation of an amateur epic goes to great lengths to describe all aspects of the production.

photo gallery
Shots from the sets and on location show our insane work ethic and devotion for this movie.

concept art
A collection of drawings and illustrations show the creative design process of the ships, sets, and props.

storyboards
The complete storyboards created for the Worst Sci-Fi Prequel Ever!, as an aid in the production of the complicated visual effects in the film.

visual effects
An exploration of the creation of the visual effects for this very low-budget production.

the Festus
An analysis of the magic, myth, and utter fantasy behind the fictional line of ships.

Archaic English
An exploration of, and apology for, the use of archaic English in the fourth Worst Sci-Fi film.

the first treatment
This initial story treatment is really very little like the final product, and it's probably a good thing that this is not what made it to screen. There are a few clever parts, and even some moments of total brilliance, but overall, it's pretty bad. I think the end scene is great irony. The entire premise is more fit for a five-minute commercial than a full-blown film at forty minutes in length.

the second treatment
With this treatment, the idea of quasi-hard-sci-fi appears, as do more details of the characters, and their destination of Titan. However, the Willmarks are completely absent, and the ending is very anticlimactic.

the initial screenplay
The first stab at the screenplay is very similar to the second treatment, except now the Willmarks play a minor role, and the Light Beings are only slightly more important than in the treatments. I'm very glad we didn't shoot this screenplay. There are a few scenes in it, like with the "dead" Willmark, which seem brilliant at first, but then end up just being annoying.

the final screenplay
This is the screenplay which we shot. The Light Beings and the Willmarks are pivotal factors. Here we see the transformation of the Willmark prison guard into the News Monster from wsf-3. We finished it the day before we started shooting, so our actors didn't have any time to memorize their lines. Some of the more memorable scenes from the movie, especially the "I'm British nobility!" scene, were not scripted at all.

the annotated screenplay
Read various ramblings and digressions on the structure, humor, and flaws of the screenplay.

Copyright 2002, 2003, 2004, and 2005 by Willy Logan. All rights reserved.
willy@wilhelm-aerospace.org